Dr. CHEN Liangliang 陳亮亮博士

• Position:Assistant Professor
• Qualifications:BA (Fudan), MPhil (HKUST), PhD (CUHK)
• Phone: 852-39174806
• Fax: 852-28581334
• Office:Rm 852, Run Run Shaw Tower, Centennial Campus, HKU
• Email:llchen33@hku.hk

陳亮亮博士，香港大學中文學院助理教授。2020年起執教於中文學院，此前曾任香港中文大學（深圳）人文社科學院講師。她的本科專業為中國文學，碩士研究中國哲學，博士專攻中國古典文學，曾獲香港中文大學「2016年度研究生學術成果獎」。陳博士研究領域為中國古典戲曲、明清文學、明清思想史。她致力於融貫文學、歷史、哲學等學科的關懷與取徑，研究明清戲曲與思想文化。她目前主要關注乾嘉戲曲與盛清社會的互動與交涉，已就此議題發表數篇學術論文。她講授的本科課程包括CHIN1126「中國古代通俗文學導論」、CHIN2126「專家詞」、CHIN2179「古代通俗文學專題研究」。她亦擔任MPhil論文指導教師。

Dr. Chen Liangliang is an assistant professor in the School of Chinese at the University of Hongkong. Before joining the School in 2020, she served as a lecturer in the School of Humanities and Social Science at the Chinese University of Hong Kong, Shenzhen. She obtained her BA in Chinese Literature, MPhil in Chinese Philosophy and PhD in Classical Chinese Literature. She won the “2016 Postgraduate Research Output Award” at CUHK when pursuing her PhD degree. Dr. Chen specializes in classical Chinese drama, Ming-Qing literature, and intellectual history of late imperial China. She has been investigating the significance of classical Chinese drama within the contexts of Chinese literature, history, culture and philosophy with a focus on the interaction and negotiation between the Qianjia drama and High Qing society. She has published several journal papers on literati dramas of the High Qing era. The undergraduate courses she teaches include CHIN1126 “Introduction to classical Chinese popular literature”, CHIN2126 “Ci poetry: selected writers”, and CHIN2179 “Topical studies of classical Chinese popular literature”. She is also supervising MPhil thesis.

研究計劃 Major Research Grants:

• 2022-2023, Early Career Scheme (ECS), Research Grants Council (RGC), HKSAR Government. Project Title: Craftsmanship, Dramatic Performance and Urban Culture in High Qing Yangzhou (1736-1820). Principal Investigator.

代表性著述 Selected Publications:

期刊論文Journal Articles:

• 2020, A Re-examination of the Relationship between Tang Xianzu and Luo Rufang 湯顯祖與羅汝芳關係再探, Tang xianzu xuekan湯顯祖學刊, Vol. 6-7 (2020), 100-115.
• 2020, “The Representation of Southern Ming Loyalties in the Qianjia Drama: Qu Shisi and He Guilai” 乾嘉戲曲中的南明忠臣再現：瞿式耜與《鶴歸來》, Journal of Guizhou University (Art) 貴州大學學報（藝術版）, Vol. 34:1 (2020), 51-60.
• 2018, “A Study of the Manuscripts of Shen Qifeng’s Four Plays: The Full-story Performance of Kunqu since the Qianjia Period” 沈起鳳《紅心詞客四種曲》鈔本考述：兼論乾嘉以降崑曲全本戲演出, Xiqu yu suwenxue yanjiu戲曲與俗文學研究, Vol. 6 (Dec 2018), 150-169.
• 2015, “Ritual, Memory and Social Order: An Exploration of the Relationship between Qing Literati Plays and Local Society” 儀式、記憶與秩序：清文人戲曲與地方社會關係之探索, Chinese Studies漢學研究, Vol. 33:3 (Sep 2015), 275-306.
• 2012, “The Moral Reflection in Jiang Shiquan’s Plays: From Konggu Xiang to Xiangzu Lou” 論蔣士銓作品中的道德思考：從《空谷香》到《香祖樓》, Yunhan xuekan雲漢學刊, Vol. 25 (Aug 2012), 122-140.

專書論文 Book Chapters:

• 2015, “Unjust Emperor on Stage: Narration on ‘Jingnan’ in Wuxia Bi and Its Performance in the Qing Palace Court” 粉墨帝王：《無瑕璧》的靖難演義及其宮廷演出, Mingqing yanjiu luncong: II 明清研究論叢第二輯. Ed. The Department of Chinese Language and Literature, the Chinese University of Hong Kong 香港中文大學中國語言及文學系. Shanghai: Shanghai guji chubanshe, 2015, 125-149.

翻譯 Translations:

• Shun, Kwong-loi. “Jen and Li in The Analects”《論語》中的仁與禮, Trans. Chen Liangliang, in Moral Philosophy and the Tradition of Confucianism 道德哲學與儒家傳統. Ed. Fang Dongx 方東旭. Shanghai: Huadong shifan daxue, 2010, 160-177. (the original English text is published in Philosophy East & West 43:3(1993.07), 457-480 )

報刊文章 Critique:

• “A Poet and His Period: The Change in the Meaning of ‘China’ in Yu Kwang-chung’s Writing” 一個詩人和他的時代：余光中筆下「中國」意涵的幾度變遷. The Paper 澎湃, Shanghai. Dec 22nd, 2017.
• “From Text to Stage: Pai Hsien-yung on His Cristal Boy” 白先勇談《孽子》：從小說到舞臺，Ming Pao明報, Hong Kong. Apr 10th, 2016.