Prof. CHU Yiu Wai Stephen 朱耀偉教授

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  • Professor
  • BA (CUHK), MA (SFSU), PhD (CUHK)
  • 852-39172901
  • 852-28581334
  • Rm 815, Run Run Shaw Tower, Centennial Campus, HKU
  • sywchu@hku.hk

Stephen Yiu-Wai CHU is Professor and Director of Hong Kong Studies Programme, The University of Hong Kong, and Fellow of the Hong Kong Academy of Humanities. Before joining The University of Hong Kong in 2013, he had taught at the Department of Chinese and Humanities Programme of Hong Kong Baptist University for more than 20 years. He was also the founding Head of the Department of Humanities and Creative Writing of Hong Kong Baptist University. His research focuses on postcolonialism, globalization and Hong Kong culture. He has published more than 30 books and 50 academic essays, which can be found in journals including, among others, Tamkang Review, Tsing-hua Journal of Chinese Studies, Social and Legal Studies, International Journal of the Sociology of Law, Social Analysis: The International Journal of Cultural and Social Practice, boundary 2, Visual Anthropology, Inter-Asia Cultural Studies, Popular Music, International Journal of Cultural Studies, Journal of Chinese Cinemas, Interventions: International Journal of Postcolonial Studies and Global Media and China. He is also the chief editor of the “Hong Kong Studies: Humanities Perspectives, Global Dialogues” series published by Brill, and two Chinese-language book series on Hong Kong – “Cultural Hong Kong” and “Hong Kong Popular Lyricists” – published by Chung Hwa Book Company. In recognition of his contribution to the promotion of Hong Kong culture and Cantopop, the South China Morning Post presented him the Spirit of Hong Kong Award (Culture) in 2019.

朱耀偉，香港大學香港研究課程教授及總監，香港人文學院院士。在2013年加入香港大學之前，曾於香港浸會大學中文系及人文學課程任教逾二十年，爲人文及創作系創系主任。研究範圍包括香港文化、全球化及後殖民論述，著有專書三十餘種，論文散見Tamkang Review, Tsing-hua Journal of Chinese Studies, Social and Legal Studies, International Journal of the Sociology of Law, Social Analysis: The International Journal of Cultural and Social Practice, boundary 2, Visual Anthropology, Inter-Asia Cultural Studies, Popular Music, International Journal of Cultural Studies, Journal of Chinese Cinemas, Interventions: International Journal of Postcolonial Studies 及 Global Media and China等期刊。他是Brill 出版社“Hong Kong Studies: Humanities Perspectives, Global Dialogues” 、中華書局 “文化香港”及“香港詞人”叢書編輯，亦爲《南華早報》和信和集團合辦「香港精神獎」(文化; 2019)得主。

Selected Publications (Books only)

  • Main Melody Films in the 2010s: Hong Kong Directors in Mainland China (in progress; contracted with Edinburgh University Press).
  • Hong Kong Popular Culture in the 1980s: A Decade of Splendor (in progress; contracted with Amsterdam University Press).
  • 《香港文學大系：歌詞卷》(A Compendium of Hong Kong Literature: Lyrics)  (co-edited with Wong Chi Wah) (Hong Kong: Commercial Press商務印書館, 2020).《詞中物：香港流行歌詞探賞》(Interpreting Hong Kong Popular Lyrics), revised version (Hong Kong: Joint Publishing Co.三聯書店, 2020; original version 2007).
  • 《香港流行文化的(後)青春歲月》(“[Post]Youth” Hong Kong Popular Culture) (Hong Kong: Chung Hwa Book Co., 2019).
  • 《歲月如歌：詞話香港粵語流行曲》(Lyrics of Your Life: The Transformation of Hong Kong Cantopop), revised and enlarged version (Hong Kong: Joint Publishing Co.三聯書店, 2019; original version 2009).
  • 《香港關鍵詞：想像新未來》(Hong Kong Keywords: Imagining a New Future) (ed.) (Hong Kong: Chinese University Press, 2019).
  • Found in Transition: Hong Kong Studies in the Age of China (Albany: SUNY Press, 2018).
  • Hong Kong Cantopop: A Concise History (Hong Kong: Hong Kong University Press, 2017).
  • Hong Kong Culture and Society in the New Millennium: Hong Kong as Method (ed.) (Singapore: Springer, 2017).
  • 《香港研究作為方法》 (Hong Kong Studies as Method) ed. (Hong Kong: Chung Hwa Book Co.中華書局, 2016).
  • Lost in Transition: Hong Kong Culture in the Age of China (Albany: State University of New York Press, 2013).
  • 《繾綣香港：大國崛起與香港文化》Bound to Hong Kong Culture (Hong Kong: Infolink匯智出版, 2012).
  • 《香港粵語流行歌詞研究》I & II (A Study of Hong Kong Cantopop Lyrics I & II) (Hong Kong: Enlighten & Fish亮光文化, 2011); revised and enlarged version of A Study of Hong Kong Popular Lyrics: From the Mid-70s to the Mid-90s (Hong Kong: Joint Publishing Co.三聯書店, 1998).
  • 《香港歌詞八十談》(80 Talks on Hong Kong Popular Lyrics) (co-authored with Wong Chi Wah) (Hong Kong: Infolink匯智出版, 2011).
  • 《後九七香港流行歌詞研究》(A  Study of Post-1997 Cantopop Lyrics) (co-authored with Leung Wai Sze) (Hong Kong: Enlighten & Fish 亮光文化, 2011).
  • 《文化研究60詞》(60 Keywords in Cultural Studies) (co-authored with Anthony Chan and Leon Chu) (Hong Kong: Infolink匯智出版, 2010).
  • 《詞家有道：香港16詞人訪談錄》(The Way of Hong Kong Lyricists) (co-authored with Wong Chi Wah and Leung Wai Sze) (Hong Kong: Infolink匯智出版, 2010).
  • Contemporary Asian Modernities: Transnationaltiy, Interculturality, Hybridity (co-edited with Eva Man), (Bern: Peter Lang, 2010).
  • 《香港流行歌詞導賞》(Guided Interpretation of Hong Kong Popular Lyrics) (co-authored with Wong Chi Wah) (Hong Kong: Infolink匯智出版, 2009).
  • 《香港的當勞化》(The Donaldization of Hong Kong) (Hong Kong: Culture Cross, 2007).《當代西方批評論述的中國圖象》(The “China” in Contemporary Western Critical Discourse) (Expanded and revised simplified character version) (Beijing: Chinese Renmin University Press中國人民大學出版社, 2006; original version – Taipei: Camel Publishing Co.駱駝出版社, 1996).
  • 《愛恨地球村：透視全球化現象》(Love and Hate in the Global Village: Perspectives on Globalization) (Hong Kong: Enrich Culture天窗出版, 2005).
  • 《虛擬後樂園：透視電腦遊戲文化》(Cyberland: Perspectives on Electronic Games) (co-authored with Amy Chan) (Hong Kong: Enrich Culture天窗出版, 2005).
  • Between Home and World: A Reader in Hong Kong Cinema (co-edited with Esther Cheung) (Hong Kong: Oxford University Press, 2004).
  • 《音樂敢言之二：香港「原創歌運動」研究》(A Study of the “Original Songs Campaign” in Hong Kong) (Hong Kong: Bestever, 2004).
  • 《本土神話：全球化年代的論述生產》(The Local Myth: Discursive Production in the Global Era) (Taipei: Xuesheng 學生書局, 2002).
  • 《香港文學@文化研究》(Hong Kong Literature and/as Cultural Studies) (co-edited with Esther Cheung) (Hong Kong: Oxford University Press牛津大學出版社, 2002).
  • 《中國作家與宗教》(Chinese Writers and Religion) (ed.)(Hong Kong: Chunghwa中華書局, 2001).
  • 《音樂敢言：香港「中文歌運動」研究》(A Study of the “Chinese Songs Campaign” in Hong Kong) (Hong Kong: Infolink匯智出版, 2001).
  • 《以法之名：後殖民香港法律文化研究》(In the Name of Law: On Postcolonial Hong Kong Legal Culture) (co-authored with Sin Wai Man) (Taipei: Xuesheng 學生書局, 2000).
  • 《光輝歲月：香港流行樂隊組合研究（1984-1990）》(The Days of Glory: A Study of Hong Kong Popular Bands/Groups) (Hong Kong: Infolink匯智出版, 2000; 2nd edition 2012).
  • 《他性機器？後殖民香港文化論集》(Otherness Machine? Essays on Postcolonial Hong Kong Culture) (Hong Kong: Youth Bookstore青文書屋, 1998).
  • 《後東方主義：中西文化批評論述策略》(Post-Orientalism: Tactics of Chinese-Western Cultural and Critical Discourse) (Taipei: Camel Publishing Co. 駱駝出版社, 1994).